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当代寿衣时装
当代寿衣时装
Contemporary Shroud Fashion
1998 ｜ 33 minutes |
Languages: Mandarin | Subtitles:
导演：李群 ｜ Director：Li Wake
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李娃克于公元1998年6月带着绝望的后现代主义激情远涉北京，让模特穿上他设计的“寿衣时装”穿行于长城、故宫、天坛、王府井等场所，在人群中虚拟了一场场“活死人”的寿衣时装行为演习。然后，将演习过程的录像混入平克弗洛伊德的《弥墙》片段并剪辑成MTV的样式，将其投射到北京剧院的宽荧幕上，寿衣时装模特儿则从“场”外移入“场”内，在银幕前自由地行走，间或向“邮箱”内投递着象征选票的“天堂通宝”。此时，革命歌曲、恩雅的乐曲、葬礼进行曲交替出现，音乐、影像行为和道具的波普式拼接组合成一种荒诞的自悼诗般的殉葬祭仪。
Li Wake travelled to Beijing in June 1998 with a desperate post-modernist passion and had models dressed in his "shroud fashion" walk through the Great Wall, the Forbidden City, the Temple of Heaven, Wangfujing and other venues, and virtually performed a "living dead" shroud fashion show in front of a crowd of people. The footage was then mixed with clips from Pink Floyd's "The Wall" and edited into an MTV format, which was projected onto the wide screen of the Beijing Theatre, where the shroud fashion models moved from the outside of the theatre into the inside of the theatre, walking freely in front of the screen, occasionally delivering ballots to the mailboxes. At this point, revolutionary songs, Enya's score, and funeral marches alternate, and a poppy patchwork of music, video acts, and props combine to form a kind of absurd self-eulogy-like martyrdom ritual.
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Li Wake travelled to Beijing in June 1998 with a desperate post-modernist passion and had models dressed in his "shroud fashion" walk through the Great Wall, the Forbidden City, the Temple of Heaven, Wangfujing and other venues, and virtually performed a "living dead" shroud fashion show in front of a crowd of people. The footage was then mixed with clips from Pink Floyd's "The Wall" and edited into an MTV format, which was projected onto the wide screen of the Beijing Theatre, where the shroud fashion models moved from the outside of the theatre into the inside of the theatre, walking freely in front of the screen, occasionally delivering ballots to the mailboxes. At this point, revolutionary songs, Enya's score, and funeral marches alternate, and a poppy patchwork of music, video acts, and props combine to form a kind of absurd self-eulogy-like martyrdom ritual.
